Monday, December 26, 2011

CF Martin Guitar Company presents the "Custom Carpathian Cannon" Acoustic Guitar

Call 1-800-343-9795 to learn more about the Guitars at Musicians Friend Private Reserve. The CF Martin Guitar Company presents the "Custom Carpathian Cannon" Acoustic Guitar. Guitar legend Jeff Pevar demonstrates this beautifully made guitar from the CF Martin Guitar Company. Available only at Musicians Friend Private Reserve. www.musiciansfriend.com

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Tuesday, December 6, 2011

Martin Guitar - Why They Are So Popular

!9#: Martin Guitar - Why They Are So Popular

Already in business for more than one hundred and seventy years, the Martin Guitar Company sells acoustic guitars that are considered among the best musical instruments in the world. The company has continuously managed to thrive in the ever-changing music industry. From the creations of C. F. Martin, Sr. of the 1830's to the latest developments introduced by C. F. Martin IV, the family-run business has achieved remarkable feats, reflecting six generations of guitar making. C. F. Martin is definitely an indisputable leader in the music industry.

The story behind one of America's most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.

Accepted business practices in the early days of making a Martin guitar were far removed from today's methods and reflected a simpler society. Barter was common in the retail trade. C. F. Martin's personal records contain numerous entries of trading musical merchandise for everything from a case of wine to children's clothing. New York City's teeming Lower East Side was a harsh environment that was a world apart from the pastoral Saxony where Martin and his family grew up.

In the ensuing years, the company experienced several exciting commercial and technological breakthroughs. Historical records show C.F. Martin and company selling guitars through high profile retailers in New York City, and through other busy ports of call. Additionally, guitars showed up along many cities serviced by waterways, as this was prior to the railroads crossing the continent.

Martin's shipping records made frequent mention of sales in Boston, Albany, Philadelphia, Richmond, Petersburg, Nashville, Pittsburgh, St. Louis, and New Orleans. Business in the period was obviously satisfactory, for in an advertisement in 1850 the company declared, "C. F. Martin Guitar Maker, respectfully informs the musical public generally that the great favor bestowed upon him has induced him to enlarge his factory, in order to supply the increasing demand for his instruments."

Martin Guitar has always adhered to the highest standards of musical excellence, and it has also been managed very competently. This probably explains the company's remarkable success throughout its many years in business. Their choice of products and their marketing have changed over time, but the company's basic attitude to guitar-making has always been the same. Frank Henry Martin is known for having said to potential buyers, "A good guitar cannot be made for the same price as a poor one, but nobody regrets the extra cost of a good guitar.


Martin Guitar - Why They Are So Popular

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Tuesday, November 8, 2011

Martin Thinline Goldplus 332 Acoustic Pickup

!9# Martin Thinline Goldplus 332 Acoustic Pickup


Rate : | Price : $119.99 | Post Date : Nov 08, 2011 21:13:51
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Thursday, November 3, 2011

CF Martin DM Dreadnought Acoustic Guitar with Case

!9# CF Martin DM Dreadnought Acoustic Guitar with Case

Brand : Martin & Co. | Rate : | Price :
Post Date : Nov 03, 2011 08:28:16 | N/A


  • Solid spruce top
  • Herringbone rosette
  • Tortoise-color pickguard
  • A-frame X-bracing
  • Laminated mahogany back and sides

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CF Martin DM Dreadnought Acoustic Guitar with Case

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Wednesday, November 2, 2011

Acoustic Guitars - Is Bigger Better?

!9# Acoustic Guitars - Is Bigger Better?

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Back in the late 70's, when I started to learn how to play lead
bluegrass and fiddle tunes on an acoustic guitar, every bluegrass
player I knew would settle for nothing less than a Dreadnought. The
Dreadnought is a style of guitar created in 1916 in a collaboration
between the guitar manufacturer, the C.F. Martin Co. and the Oliver
Ditson Co., a retailer.

The body of the Dreadnought was larger and
deeper than most guitars. The name was coined from the huge British
battleship, "HMS Dreadnought." Dreadnoughts were known for their
bass response and projection. They produced greater volume than the
smaller guitars of the day and appealed to singers who wanted the
accompaniment of a guitar. Though poorly received at first, this
style of guitar became Martin's best seller in the 1930's. Of
course the rest of the industry followed, and today the Dreadnought
is one of the most popular styles of acoustic guitar on the market
and is produced by many manufacturers. So, as I was saying, among
the bluegrass guitar players (and the would-be bluegrass guitar
players) I knew, everybody had to have a Dreadnought. Or, if not a
Dreadnought, one of those big, gaudy Gibson J-220's that were just
too "cowboyish" for my taste (yes, I guess I care how a guitar
looks as well as how it sounds).

What I wound up playing was a 1955 Gibson J-45, Gibson's version of
the Dreadnought. I bought it in 1978. It was a wonderful
instrument, had a really sweet sound, excellent bass response--but
sometimes it seemed to me that some of the notes I picked kind of
got lost in the body of the guitar. If I wanted my notes to be
crisp and punchy, I would have to pick way too hard, and that was
just too much work for me. About 10 years ago I played some smaller
bodied guitars and was amazed at their projection and the clarity
of each individual note. I was also impressed by the perfect
balance between the high end notes and the bass notes. I decided to
take the plunge: I sold my J-45 and purchased a Gibson-made
depression era Kalamazoo KG-11 (much smaller than Dreadnought). I
had to have a lot of repair work done to make the guitar playable,
but still wound up with a lot of change left over from my J-45
sale. Eventually I sold the Kalamazoo (I got into buying and
selling on eBay), and bought a pristine Carson J. Robison (also by
Gibson--same era) which is identical to the Kalamazoo KG-11, the
only difference being the name on the headstock. I also bought a
Gibson LC "Century," a small-bodied (00 size) guitar that Gibson
designed for the 1933 Chicago exposition. This is my favorite
guitar. It has all the volume and punch I need--even with silk and
steel strings!

Today I don't own a guitar today larger than a 000 size. What I
have discovered is that there are ways to get volume and bass
response out of a small guitar, and small guitars have some
benefits that are quite appealing: specifically, they are easier to
handle than larger guitars, and you don't have to work so hard to
make them bark. Norman Blake, in an article on
http://www.acousticguitar.com, tells why he has changed from
Dreadnoughts to smaller guitars: "I'm not the world's largest
person in stature, and I sit down to play, so a dreadnought got to
seeming like overkill. Plus I got tired of the lack of snap. It's
kind of like stringing up the kitchen table and playing that. I got
tired of reaching a little further for everything--having to punch
it real hard to get anything out of it."

I have discovered that a smaller guitar is much more responsive and
sensitive to the flatpick than a Dreadnought is, so you can make
your licks ring out with a much wider range of dynamics. I also
prefer a shorter scale, specifically the Gibson 24.75" scale as
opposed to Martin's 25.25" scale. The shorter scale means a little
less distance from fret to fret, so the fingers don't have to reach
quite as far. It also allows the strings to be a tad more flexible,
inviting a greater dynamics. Another preference of mine is a guitar
that has 12 frets from the nut to the body instead of 14. This
means you don't have to reach as far, plus, it causes the bridge to
be a little further from the soundhole, down in the middle of the
widest area of the lower bout, so there is a bigger sound and more
bass. I also think that there is something about the body meeting
the neck at the 12th fret (the octave) that actually makes the
guitar sound better. I love something that is found on many of the
12-frets-to-the-body guitars: a slotted headstock. Guitars with
slotted headstocks stay in tune better, and I think the over all
sound is enhanced.

So, when it comes to acoustic guitars, is bigger better? I don't
think so, but that's just me. Go to your local guitar shop,
experiment with different sizes of guitars, and see what YOU think!

Copyright © 2007 Lee Griffith. All rights reserved.


Acoustic Guitars - Is Bigger Better?

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Wednesday, October 26, 2011

C.F. Martin & Co., Est. 1833: A History (Martin Guitars, A History)

!9# C.F. Martin & Co., Est. 1833: A History (Martin Guitars, A History)

Brand : | Rate : | Price :
Post Date : Oct 26, 2011 09:04:07 | Usually ships in 1-2 business days


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Wednesday, October 19, 2011

Martin & Co. Est. 1833: A History

!9# Martin & Co. Est. 1833: A History

Brand : | Rate : | Price :
Post Date : Oct 20, 2011 01:26:09 | N/A


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Sunday, August 21, 2011

Martin Steel String Backpacker Travel Guitar with Bag

!9# Martin Steel String Backpacker Travel Guitar with Bag

Brand : Martin | Rate : | Price : $203.44
Post Date : Aug 21, 2011 21:57:07 | Usually ships in 1 to 4 months


  • Solid Spruce Top
  • Solid Tonewood Back and Sides
  • Unique Contour Neck Shape
  • Features 24-Inch Scale Length
  • Features 15 Frets

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Martin Steel String Backpacker Travel Guitar with Bag

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Sunday, August 7, 2011

Vintage Guitars as an Investment

!9# Vintage Guitars as an Investment

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Every guitar player that ever lived in the day he was born when he / she can take a vintage guitar. Vintage guitars are available in all major manufacturers and brands. But not only musicians and guitar enthusiasts that are attracted to these masterpieces. Vintage guitars can also be seen as an investment.

You're probably saying to yourself, "is buying a vintage guitar really a good investment," "How can a guitar be an investment" Let me enlighten youlittle. To the untrained eye, a guitar is a guitar. Now we're not talking about the walls of the tools that you see at Guitar Center or Sam Ash. We look forward to those special few extraordinary guitars that just scream to talk in torn.

Guitars are a great investment for several reasons. First, they are beautiful and command a space in which they appear. Secondly, vintage guitars do not belittle or lose value over time. On the contrary, these children enjoy and get a value as they age,especially if they behaved well. Third, we must consider the tone and action when you play because of the quality of workmanship that went into their construction.

Without a doubt the most popular of the Les Paul Gibson. This guitar carries the name of the man who invented the solid body electric guitar. In 1960, the Les Paul just to the choice of instrument. These are made today, but the older ones were made of precious materials such as mahogany and oak. Some also hadMother of pearl inlay and gold keys on the keyboard.

Fender has also sought a grip on a very few like the guitar, especially the Stratocaster, Telecaster, and Thunderbird. These have been favorites of blues and rock musicians alike. Even in this case were all those want to do in the years 1950 and 1960.

Surely one of the reigning king of vintage guitars are those of the CF Martin Company. Martin emigrated here from Europe in the late 19 th century and upBusinessman in New York. The boat is not only imparts exceptional. It 'absolutely shocking. Martin led the way X-reinforcements for acoustic guitars add years to the longevity of the instruments made. Martin Many are still in use in almost 100 years!

Guild is another vintage guitar that is widely overlooked in those days. Gilda has only been in operation for about 25 years and was bought by Fender in 1990. Some of the older Guild guitars are extremely rareand desires, because it showed the same Martin quality of the instruments in the same period.

Each of these producers guitar has an extraordinary series of guitars. They chose players like Stevie Ray Vaughn, Jimi Hendrix, Chet Atkins, Roy Clark and Les Paul to them over and over again as the guitar of choice.

If purchased as an investment, keeping the year in which the possibility of giving a great ROI (return on investment).

To see a collection of vintageGuitars that are available now in Zone vintage guitar and see what you can get your fingers for a great price.


Vintage Guitars as an Investment

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Thursday, August 4, 2011

Martin LXM Little Martin Acoustic Guitar wtih Gigbag

!9# Martin LXM Little Martin Acoustic Guitar wtih Gigbag

Brand : Martin | Rate : | Price : $289.99
Post Date : Aug 04, 2011 14:33:23 | Usually ships in 1-2 business days


  • Spruce-pattern HPL top
  • 23 inch scale
  • Stratabond modified low oval neck
  • Gotoh nickel-plated tuners
  • C.F. Martin script logo on headstock

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Martin LXM Little Martin Acoustic Guitar wtih Gigbag

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